It all begins in a small Oregon town, when shy Sam (RORY CULKIN) confesses to his protective older brother Rocky that he is getting pummeled daily by the towering school bully, George. Together, they plan the perfect payback, inviting George on a birthday river trip tailor-made to end in the bully’s humiliation. Rocky’s pals Clyde and Marty and Sam’s budding girlfriend Millie also join the journey, which starts almost immediately with misgivings. Seeing George in a new light, as a lonely kid desperate for friendship and attention, Sam wants to call the whole thing off. But the boat and the plot are already in motion, and no one can foresee the surprises and accidents that are to come.
1: In This Game Of Hide And Seek, If You’re It… You’re Dead. 2: Some men must be found 3: Some men should not be found. 4: What happens when the hunter becomes the hunted?
Plot Summary:
In the green woods of Silver Falls, Oregon, Aaron Hallam, a trained assassin AWOL from the Special Forces, keeps his own brand of wildlife vigil. After brutally slaying four deer hunters in the area, FBI Special Agent Abby Durrell turns to L.T. Bonham– the one man who may be able to stop him. At first L.T. resists the mission. Snug in retirement, he’s closed off to his past, the years he spent in the Special Forces training soldiers to become skilled murderers. But when he realizes that these recent slayings are the work of a man he trained, he feels obligated to stop him. Accepting the assignment under the condition that he works alone, L.T. enters the woods, unarmed–plagued by memories of his best student and riddled with gulit for not responding to Aaron’s tortured letters to him as he began to slip over the edge of sanity. Furious as he is with his former mentor for ignoring his pleas for help, Aaron knows that he and L.T. share a tragic bond that is unbreakable. And, even as they go into their final combat against each other, neither can say with certainty who is the hunted and who is the hunter.
A charismatic convict (Bruce Willis) and a hypochondriac inmate (Billy Bob Thornton) break out of prison in a cement truck and immediately start a bank robbing spree. Becoming known as the “Sleepover Bandits”, the two kidnap bank managers the night before their robbery, spend the night with their families, and then all go to the bank in the morning to get the dough. Using a dim-witted stunt man (Troy Garrity) as their getaway driver and lookout, the three successfully pull off several jobs that gets them recognition on a tv show about America’s criminals. When a bored housewife (Cate Blanchett) with a failing marriage decides to runaway, she ends up in the hands of the criminals. Initially attracted to Willis, she nonetheless also ends up in bed with Thornton and a confused romantic relationship begins. Continuing along with their spree, the bandits hit the wall when the bank managers realize that they are non-violent and therefore no threat to them or their employees. This leads to one more big score at the Alamo Bank, where in the very opening scenes, things appear to go awry.
1: It is 2013. War has crippled the Earth. Technology has been erased. Our only hope is an unlikely hero.
Plot Summary:
In the year 2013 civilization has all but destroyed itself. After a war that decimated the government and most of the population of the United States (possibly the world) people struggle to survive against starvation and rogue groups of armed men. One such group is called the Holnists. This group is bigger than any other and their leader, General Bethlehem, has delusions of ruling the country. A drifter (Costner) is captured by the group and forced to join. He escapes at the first chance and happens on a mail jeep with a skeleton in it. The skeleton is wearing a postal uniform and the drifter takes it to keep him warm. He also finds a mailbag and starts conning people with old letters. The hope he sees in the people he delivers to changes his plans and he decides that he must help bring the Holnists down.
McMurphy, a man with several assault convictions to his name, finds himself in jail once again. This time, the charge is statutory rape when it turns out that his girlfriend had lied about being eighteen, and was, in fact, fifteen (or, as McMurphy puts it, “fifteen going on thirty-five”). Rather than spend his time in jail, he convinces the guards that he’s crazy enough to need psychiatric care and is sent to a hospital. He fits in frighteningly well, and his different point of view actually begins to cause some of the patients to progress. Nurse Ratched becomes his personal cross to bear as his resistance to the hospital routine gets on her nerves.
